Fikri Jermadi considers how the context becomes the text in Riyadi Prabowo’s film.
Fikri Jermadi takes a deep dive into Jarek Zwolak’s short film.
Having seen Emir Ezwan’s feature film debut, Ezzah Mahmud walked out of the cinema speechless.
Adi Iskandar is stung by Cheng Thim Kian’s latest effort.
Adi Iskandar considers issues of social discipline and generation divide in Muhammad Bilal’s film.
Yi Seung-jun’s documentary inspired great anger in Adi Iskandar.
Fikri Jermadi is happy to rediscover the delights of Ridhwan Saidi.
Fikri Jermadi considers the cinema of risk through Sam Mendes’ latest film.