John Bradley and Shannon Faulkhead discuss how animated films can help with the celebration and maintenance of Indigenous Australian culture.
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Category: Features
Immersing the Self – Decoding Dain Said’s Cinematic Structures (part two)
Concluding his discussion, Ahmad Syazli Muhd Khiar analyses the acting, metaphors and symbolism of ‘Bunohan’, ‘Interchange’ and ‘Dukun’.
Breaking the Code – Decoding Dain Said’s Cinematic Structures (part one)
Ahmad Syazli Muhd Khiar puts on his hacker’s hat, and considers the cinematic secrets of the Malaysian auteur.
We Will Never Be Ready Enough – A Working Title Workshop 2018-2019
Elise Shick reflects on her experience in A Working Title film programming workshop, and considers the Malaysian context.
End the Tyranny – The Auteur in the #MeToo Era
Originally published on The Conversation, Margaret Leclere takes aim at the auteur theory in a more contemporary context.
Three’s Company – The Resonance of David Fincher’s Films
Norman Effendi considers how much three of David Fincher’s films have affected him personally and professionally.
Reframing the Frame – Voices from the East (part 3)
Concluding an enlightening panel discussion at the 2017 Young Filmmakers Forum, Jasmine Suraya Chin, Putri Purnama Sugua and Nadira Ilana discuss how to best make films in Borneo, why trust is important in East Malaysia, and share ideas on how the bigger picture can be improved.
Seeds of Origin – The Student Films of Anthony Chen and Garin Nugroho
Wei Jie Lim ruminates on the student films of Southeast Asian auteurs Anthony Chen and Garin Nugroho.
