Concluding his discussion, Ahmad Syazli Muhd Khiar analyses the acting, metaphors and symbolism of ‘Bunohan’, ‘Interchange’ and ‘Dukun’.
Ahmad Syazli Muhd Khiar puts on his hacker’s hat, and considers the cinematic secrets of the Malaysian auteur.
Elise Shick reflects on her experience in A Working Title film programming workshop, and considers the Malaysian context.
Fikri Jermadi gets to the meat of the sandwich of his top ten Malaysian films of all time.
Invited to submit a ranking of the best Malaysian films, Fikri Jermadi shares his thought process on the longlist.
Paul Salmond considers the everlasting connection between Greek mythology and American cinema.
Fikri Jermadi considers the short film scene in Malaysia, and sees a brighter future than ever before.
With the cacophony surrounding the major categories at the 28th Malaysian Film Festival, Fikri Jermadi sifts past the noise to highlight some real gems of Malaysian shorts cinema.