Fikri Jermadi washes his hands, puts on his mask and dissects Gogularaajan’s Kuman Pictures Challenge winner.
Concluding his discourse on Imran Sheik’s film, Hassan Muthalib thinks aloud on the road ahead for Malaysian filmmakers.
Continuing his discourse on ‘Daulat’, Hassan Muthalib discusses how Machiavellian ideals are played out in Imran Sheik’s film.
In the first of three parts, Hassan Muthalib contextualises Imran Sheik’s film in the Malaysian political film genre.
Adi Iskandar is stung by Cheng Thim Kian’s latest effort.
We sit down for a chat with Lin Ariffin, a Malaysian filmmaker based in Australia, on her film career thus far, the creation of Aussie Malaysian TV (AMTV), and why chocolates are essential to her.
Adi Iskandar finds himself being angry after watching this documentary from Agnes Padan and Lawrence Jayaraj.
Adi Iskandar squeezes himself between all these films to find a gem of one.