Concluding his discussion, Ahmad Syazli Muhd Khiar analyses the acting, metaphors and symbolism of ‘Bunohan’, ‘Interchange’ and ‘Dukun’.
Ahmad Syazli Muhd Khiar puts on his hacker’s hat, and considers the cinematic secrets of the Malaysian auteur.
Elise Shick reflects on her experience in A Working Title film programming workshop, and considers the Malaysian context.
Originally published on The Conversation, Margaret Leclere takes aim at the auteur theory in a more contemporary context.
Norman Effendi considers how much three of David Fincher’s films have affected him personally and professionally.
Concluding an enlightening panel discussion at the 2017 Young Filmmakers Forum, Jasmine Suraya Chin, Putri Purnama Sugua and Nadira Ilana discuss how to best make films in Borneo, why trust is important in East Malaysia, and share ideas on how the bigger picture can be improved.
Wei Jie Lim ruminates on the student films of Southeast Asian auteurs Anthony Chen and Garin Nugroho.
Continuing a discussion held at the 2017 Young Filmmakers Forum, Putri Purnama Sugua, Nadira Ilana, and Jasmine Suraya Chin wax lyrical on the making of their own films, issues faced by Borneoan performers, and how this issue is linked to the more global issue of whitewashing.